A12 scale

From English Wikipedia @ Freddythechick
A12 triad (4:7:10) in conventional notation. <phonos file="A12 4 7 10 on C.mid">Play</phonos>
Octave 12-tet (left) compared with tritave 12-tet (right)

A12 (<phonos file="A12 scale on C.mid">Play</phonos>) is a non-octave-repeating scale or musical tuning featuring twelve steps to the tritave. As twelve steps to the octave is based on a triad of harmonics 4:5:6 (root, major third, perfect fifth), <phonos file="Just major triad on C.mid">Play</phonos> A12 is based on a triad of harmonics 4:7:10 (root, harmonic seventh, and compound major third).[1] Discovered by Heinz Bohlen between 1972 and 1973,[2] it was named "A12" by Enrique Moreno.[3] Bohlen considered this scale less logically consistent than the Bohlen–Pierce scale, which has thirteen steps in the twelfth.

Step Ratio Audio Cents (just) Audio Cents (ET) Difference
0 1/1 <phonos file="Unison on C.mid">Play</phonos> 0 <phonos file="Unison on C.mid">Play</phonos> 0 0
1 11/10 <phonos file="Greater undecimal neutral second on C.mid">Play</phonos> 165.00 <phonos file="One step in A12 on middle C.mid">Play</phonos> 158.50 -6.50
2 6/5 <phonos file="Just minor third on C.mid">Play</phonos> 315.64 <phonos file="Two steps in A12 on middle C.mid">Play</phonos> 316.99 1.35
3 30/23 <phonos file="3 steps in just A12 on middle C FU23.mid">Play</phonos> 459.99 <phonos file="Three steps in A12 on middle C.mid">Play</phonos> 475.49 15.50
4 10/7 <phonos file="Greater septimal tritone on C.mid">Play</phonos> 617.49 <phonos file="Four steps in A12 on middle C.mid">Play</phonos> 633.99 16.50
5 11/7 <phonos file="Undecimal minor sixth on C.mid">Play</phonos> 782.49 <phonos file="Five steps in A12 on middle C.mid">Play</phonos> 792.48 9.99
6 7/4 <phonos file="Harmonic seventh on C.mid">Play</phonos> 968.83 <phonos file="Six steps in A12 on middle C.mid">Play</phonos> 950.98 -17.85
7 21/11 <phonos file="7 steps in just A12 on middle C C↓7+.mid">Play</phonos> 1119.46 <phonos file="Seven steps in A12 on middle C.mid">Play</phonos> 1109.48 -9.99
8 21/10 <phonos file="Septimal chromatic semitone on C.mid">Play</phonos> 1284.47 <phonos file="Eight steps in A12 on middle C.mid">Play</phonos> 1267.97 -16.50
9 23/10 <phonos file="9 steps in just A12 on middle C D23.mid">Play</phonos> 1441.96 <phonos file="Nine steps in A12 on middle C.mid">Play</phonos> 1426.47 -15.49
10 5/2 <phonos file="Just major tenth on C.mid">Play</phonos> 1586.31 <phonos file="Ten steps in A12 on middle C.mid">Play</phonos> 1584.97 -1.35
11 11/4 <phonos file="Eleventh harmonic on C.mid">Play</phonos> 1751.32 <phonos file="Eleven steps in A12 on middle C.mid">Play</phonos> 1743.46 -7.86
12 3/1 <phonos file="Tritave on C.mid">Play</phonos> 1901.96 <phonos file="Tritave on C.mid">Play</phonos> 1901.96 0

See also

References

  1. ^ "Other Unusual Scales". The Bohlen–Pierce Site. Retrieved 27 November 2012.
  2. ^ Bohlen, Heinz: 13 Tonstufen in der Duodezime. Acustica, vol. 39 no. 2, S. Hirzel Verlag, Stuttgart, 1978, pp. 76 - 86. Cited in "Other Unusual Scales", The Bohlen–Pierce Site.
  3. ^ Moreno, Enrique Ignacio (Dec 1995). "Embedding Equal Pitch Spaces and The Question of Expanded Chromas: An Experimental Approach". Dissertation. Stanford University: 12–22. Cited in "Other Unusual Scales", The Bohlen–Pierce Site.