From English Wikipedia @ Freddythechick
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List
Period: 2024-08-01 to 2024-08-31
Total views: 4,109,893
Updated: 19:49, 5 September 2024 (UTC)
Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Impossible color
|
269,276
|
8,686
|
Start
|
Mid
|
2
|
List of colors: A–F
|
79,408
|
2,561
|
List
|
High
|
3
|
Red hair
|
77,182
|
2,489
|
C
|
Low
|
4
|
Johann Wolfgang von Goethe
|
71,224
|
2,297
|
B
|
Mid
|
5
|
Eye color
|
69,242
|
2,233
|
C
|
Mid
|
6
|
Color blindness
|
43,817
|
1,413
|
B
|
Top
|
7
|
Shades of green
|
43,811
|
1,413
|
List
|
Mid
|
8
|
Purple
|
39,985
|
1,289
|
C
|
High
|
9
|
Web colors
|
37,151
|
1,198
|
C
|
Mid
|
10
|
Red
|
36,986
|
1,193
|
B
|
Top
|
11
|
Human skin color
|
35,208
|
1,135
|
B
|
High
|
12
|
Primary color
|
32,908
|
1,061
|
B
|
Top
|
13
|
PAL
|
32,342
|
1,043
|
C
|
Low
|
14
|
Blue
|
32,144
|
1,036
|
B
|
Top
|
15
|
Indigo
|
31,815
|
1,026
|
Start
|
Mid
|
16
|
Black
|
30,520
|
984
|
C
|
Top
|
17
|
Color
|
29,685
|
957
|
C
|
Top
|
18
|
Blond
|
28,727
|
926
|
C
|
Low
|
19
|
Prussian blue
|
28,198
|
909
|
B
|
Mid
|
20
|
White
|
27,966
|
902
|
C
|
Top
|
21
|
Shades of purple
|
27,839
|
898
|
List
|
Mid
|
22
|
Technicolor
|
27,709
|
893
|
C
|
Low
|
23
|
Shades of blue
|
27,468
|
886
|
List
|
Mid
|
24
|
Shades of red
|
27,250
|
879
|
List
|
Mid
|
25
|
Shades of gray
|
27,156
|
876
|
List
|
Mid
|
26
|
RGB color model
|
26,361
|
850
|
B
|
High
|
27
|
Magenta
|
25,858
|
834
|
Start
|
High
|
28
|
Shades of pink
|
25,817
|
832
|
List
|
Mid
|
29
|
Shades of brown
|
25,438
|
820
|
List
|
Mid
|
30
|
Green
|
24,896
|
803
|
B
|
Top
|
31
|
Vermilion
|
24,847
|
801
|
C
|
Mid
|
32
|
Tyrian purple
|
24,829
|
800
|
B
|
Mid
|
33
|
List of Crayola crayon colors
|
24,120
|
778
|
List
|
Mid
|
34
|
Fitzpatrick scale
|
23,474
|
757
|
Start
|
Low
|
35
|
Visible spectrum
|
23,102
|
745
|
B
|
Top
|
36
|
CMYK color model
|
22,521
|
726
|
Start
|
High
|
37
|
HSL and HSV
|
22,404
|
722
|
B
|
High
|
38
|
Color wheel
|
21,694
|
699
|
C
|
High
|
39
|
Human hair color
|
21,650
|
698
|
Start
|
Mid
|
40
|
Ochre
|
21,635
|
697
|
C
|
Mid
|
41
|
Cyan
|
21,460
|
692
|
C
|
High
|
42
|
Violet (color)
|
21,226
|
684
|
B
|
High
|
43
|
Color theory
|
21,142
|
682
|
C
|
Top
|
44
|
Vantablack
|
21,072
|
679
|
C
|
Low
|
45
|
Pink
|
19,569
|
631
|
C
|
High
|
46
|
Complementary colors
|
19,198
|
619
|
Start
|
High
|
47
|
CIE 1931 color space
|
19,189
|
619
|
B
|
High
|
48
|
Afterimage
|
19,139
|
617
|
C
|
High
|
49
|
Lists of colors
|
19,120
|
616
|
List
|
Mid
|
50
|
Color television
|
18,593
|
599
|
B
|
Mid
|
51
|
Yellow
|
18,259
|
589
|
C
|
Top
|
52
|
National colours of Australia
|
18,254
|
588
|
Start
|
Low
|
53
|
ROYGBIV
|
17,832
|
575
|
Start
|
Mid
|
54
|
Light skin
|
17,314
|
558
|
B
|
High
|
55
|
NTSC
|
16,953
|
546
|
C
|
Low
|
56
|
Chartreuse (color)
|
16,793
|
541
|
Start
|
Mid
|
57
|
Chromesthesia
|
16,754
|
540
|
Start
|
Low
|
58
|
Orange (colour)
|
16,261
|
524
|
C
|
High
|
59
|
Dark skin
|
16,000
|
516
|
B
|
High
|
60
|
Terracotta
|
15,868
|
511
|
Start
|
Low
|
61
|
Pantone
|
15,696
|
506
|
Start
|
High
|
62
|
CIELAB color space
|
15,474
|
499
|
C
|
High
|
63
|
Grey
|
15,278
|
492
|
C
|
Top
|
64
|
Teal
|
15,219
|
490
|
C
|
High
|
65
|
Fuchsia (color)
|
15,012
|
484
|
Start
|
Mid
|
66
|
Brown hair
|
14,908
|
480
|
C
|
Low
|
67
|
Khaki
|
14,869
|
479
|
Start
|
Mid
|
68
|
Shades of white
|
14,747
|
475
|
List
|
Mid
|
69
|
Black body
|
14,050
|
453
|
B
|
Mid
|
70
|
Beige
|
13,941
|
449
|
C
|
Mid
|
71
|
SRGB
|
13,497
|
435
|
C
|
High
|
72
|
Color temperature
|
13,376
|
431
|
B
|
High
|
73
|
Tetrachromacy
|
13,295
|
428
|
C
|
High
|
74
|
Ultramarine
|
13,279
|
428
|
C
|
Mid
|
75
|
Periwinkle (color)
|
13,277
|
428
|
Stub
|
Mid
|
76
|
List of colors by shade
|
13,246
|
427
|
List
|
Low
|
77
|
Political colour
|
13,151
|
424
|
B
|
Low
|
78
|
International Klein Blue
|
13,133
|
423
|
C
|
Low
|
79
|
Ultra-high-definition television
|
13,101
|
422
|
C
|
Low
|
80
|
List of colors (alphabetical)
|
13,084
|
422
|
List
|
Low
|
81
|
Sky blue
|
13,082
|
422
|
Start
|
High
|
82
|
Azure (color)
|
13,028
|
420
|
Start
|
Mid
|
83
|
Brown
|
12,850
|
414
|
Start
|
High
|
84
|
Paint
|
12,816
|
413
|
C
|
High
|
85
|
List of colors: N–Z
|
12,716
|
410
|
List
|
High
|
86
|
Stroop effect
|
12,713
|
410
|
B
|
Mid
|
87
|
Shades of yellow
|
12,706
|
409
|
List
|
Mid
|
88
|
Skin whitening
|
12,601
|
406
|
B
|
Low
|
89
|
Brilliant blue FCF
|
12,533
|
404
|
Start
|
Mid
|
90
|
Shades of orange
|
12,527
|
404
|
List
|
Mid
|
91
|
Chromatic aberration
|
12,447
|
401
|
B
|
Mid
|
92
|
Cerulean
|
12,438
|
401
|
Start
|
Low
|
93
|
Burgundy (color)
|
12,435
|
401
|
Start
|
Low
|
94
|
Turquoise (color)
|
12,389
|
399
|
C
|
Mid
|
95
|
Eigengrau
|
12,338
|
398
|
Start
|
Low
|
96
|
Color depth
|
12,042
|
388
|
C
|
Mid
|
97
|
Ishihara test
|
12,016
|
387
|
C
|
Mid
|
98
|
Iridescence
|
11,901
|
383
|
Start
|
Mid
|
99
|
Freckle
|
11,778
|
379
|
Start
|
Low
|
100
|
Chromostereopsis
|
11,627
|
375
|
C
|
Mid
|
101
|
Shades of cyan
|
11,604
|
374
|
List
|
Mid
|
102
|
Crimson
|
11,512
|
371
|
Start
|
Mid
|
103
|
Lavender (color)
|
11,466
|
369
|
C
|
Mid
|
104
|
Visual perception
|
11,253
|
363
|
C
|
Mid
|
105
|
Navy blue
|
10,955
|
353
|
C
|
Mid
|
106
|
Color photography
|
10,857
|
350
|
C
|
Low
|
107
|
Color space
|
10,773
|
347
|
C
|
High
|
108
|
Pigment
|
10,618
|
342
|
B
|
Top
|
109
|
Color psychology
|
10,341
|
333
|
C
|
High
|
110
|
List of colors: G–M
|
10,221
|
329
|
List
|
High
|
111
|
Gold (color)
|
10,000
|
322
|
Start
|
Mid
|
112
|
Royal blue
|
9,953
|
321
|
Start
|
Mid
|
113
|
Shades of black
|
9,868
|
318
|
List
|
Mid
|
114
|
Auburn hair
|
9,770
|
315
|
Start
|
Low
|
115
|
Gamut
|
9,752
|
314
|
C
|
High
|
116
|
X11 color names
|
9,712
|
313
|
Start
|
Mid
|
117
|
Secondary color
|
9,710
|
313
|
C
|
High
|
118
|
Hue
|
9,631
|
310
|
Start
|
High
|
119
|
Maroon
|
9,628
|
310
|
C
|
Mid
|
120
|
DCI-P3
|
9,626
|
310
|
C
|
Low
|
121
|
Black-and-white
|
9,606
|
309
|
Start
|
Mid
|
122
|
Color vision
|
9,582
|
309
|
C
|
Top
|
123
|
Cobalt blue
|
9,480
|
305
|
Stub
|
Mid
|
124
|
Scarlet (color)
|
9,463
|
305
|
C
|
Mid
|
125
|
Tiffany Blue
|
9,192
|
296
|
Start
|
Low
|
126
|
Black hair
|
9,177
|
296
|
Start
|
Low
|
127
|
Verdigris
|
9,116
|
294
|
Start
|
Low
|
128
|
Color symbolism
|
9,048
|
291
|
Start
|
Mid
|
129
|
List of flags containing the color purple
|
9,043
|
291
|
List
|
Low
|
130
|
Pastel (color)
|
9,010
|
290
|
Stub
|
Mid
|
131
|
Pan-African colours
|
8,968
|
289
|
Start
|
Low
|
132
|
Grayscale
|
8,804
|
284
|
Start
|
High
|
133
|
Dye
|
8,795
|
283
|
C
|
High
|
134
|
Spectrophotometry
|
8,743
|
282
|
C
|
High
|
135
|
YCbCr
|
8,683
|
280
|
Start
|
High
|
136
|
Monochrome
|
8,680
|
280
|
C
|
High
|
137
|
Taupe
|
8,555
|
275
|
Start
|
Low
|
138
|
Hair coloring
|
8,519
|
274
|
Start
|
Low
|
139
|
Whitewash
|
8,494
|
274
|
Start
|
High
|
140
|
Sepia (color)
|
8,477
|
273
|
Stub
|
Mid
|
141
|
Mauve
|
8,407
|
271
|
Start
|
Mid
|
142
|
Tincture (heraldry)
|
8,322
|
268
|
B
|
Mid
|
143
|
Pan-Arab colors
|
8,279
|
267
|
Start
|
Low
|
144
|
Pantone 448 C
|
8,144
|
262
|
Stub
|
Low
|
145
|
Shades of violet
|
8,098
|
261
|
List
|
Mid
|
146
|
Y′UV
|
8,095
|
261
|
C
|
Low
|
147
|
Olive (color)
|
8,034
|
259
|
Start
|
High
|
148
|
Blue–green distinction in language
|
8,012
|
258
|
Start
|
Mid
|
149
|
Food coloring
|
7,966
|
256
|
C
|
Mid
|
150
|
Blue-green
|
7,911
|
255
|
Start
|
Mid
|
151
|
Amber (color)
|
7,862
|
253
|
Start
|
Mid
|
152
|
Haint blue
|
7,849
|
253
|
Start
|
Low
|
153
|
Rec. 709
|
7,688
|
248
|
C
|
Low
|
154
|
Mummy brown
|
7,651
|
246
|
Start
|
Mid
|
155
|
Chroma subsampling
|
7,576
|
244
|
C
|
Low
|
156
|
Shades of magenta
|
7,560
|
243
|
List
|
Mid
|
157
|
Munsell color system
|
7,474
|
241
|
B
|
High
|
158
|
Color in Chinese culture
|
7,427
|
239
|
Start
|
Mid
|
159
|
Thomas Young (scientist)
|
7,422
|
239
|
C
|
Mid
|
160
|
Hermann von Helmholtz
|
7,321
|
236
|
C
|
Mid
|
161
|
Bayer filter
|
7,285
|
235
|
C
|
Mid
|
162
|
Cone cell
|
7,215
|
232
|
C
|
Mid
|
163
|
High-dynamic-range television
|
7,200
|
232
|
C
|
Mid
|
164
|
British racing green
|
7,191
|
231
|
Start
|
Low
|
165
|
Saffron (color)
|
7,031
|
226
|
Start
|
High
|
166
|
Color of water
|
7,006
|
226
|
C
|
Low
|
167
|
Color difference
|
6,970
|
224
|
B
|
High
|
168
|
Prism (optics)
|
6,821
|
220
|
Start
|
Mid
|
169
|
Anaglyph 3D
|
6,805
|
219
|
C
|
Low
|
170
|
Tint, shade and tone
|
6,498
|
209
|
Start
|
High
|
171
|
Color mixing
|
6,496
|
209
|
C
|
High
|
172
|
RAL colour standard
|
6,489
|
209
|
Start
|
Mid
|
173
|
SECAM
|
6,484
|
209
|
C
|
Mid
|
174
|
Knowledge argument
|
6,438
|
207
|
C
|
Low
|
175
|
Cosmic latte
|
6,434
|
207
|
Start
|
Low
|
176
|
Halftone
|
6,418
|
207
|
C
|
Mid
|
177
|
Rec. 2020
|
6,390
|
206
|
C
|
Low
|
178
|
Baker–Miller pink
|
6,377
|
205
|
Start
|
Low
|
179
|
Flame test
|
6,334
|
204
|
Start
|
Low
|
180
|
Color motion picture film
|
6,155
|
198
|
B
|
Low
|
181
|
Buff (colour)
|
6,145
|
198
|
Start
|
Low
|
182
|
List of video game console palettes
|
6,120
|
197
|
List
|
Low
|
183
|
List of monochrome and RGB color formats
|
6,093
|
196
|
List
|
Mid
|
184
|
Tan (color)
|
6,025
|
194
|
Start
|
Mid
|
185
|
Standard illuminant
|
6,002
|
193
|
B
|
High
|
186
|
List of redheads
|
5,818
|
187
|
List
|
Low
|
187
|
Carmine (color)
|
5,705
|
184
|
Stub
|
Low
|
188
|
Lilac (color)
|
5,659
|
182
|
Stub
|
Low
|
189
|
RGBA color model
|
5,650
|
182
|
Start
|
Mid
|
190
|
Spring green
|
5,639
|
181
|
C
|
Low
|
191
|
Color term
|
5,609
|
180
|
Start
|
High
|
192
|
Puce
|
5,560
|
179
|
Stub
|
Mid
|
193
|
Ecru
|
5,477
|
176
|
Stub
|
Mid
|
194
|
Autochrome Lumière
|
5,453
|
175
|
C
|
Low
|
195
|
Photoreceptor cell
|
5,404
|
174
|
C
|
Mid
|
196
|
Ermine (heraldry)
|
5,389
|
173
|
Stub
|
Low
|
197
|
Colorfulness
|
5,307
|
171
|
Start
|
High
|
198
|
Color rendering index
|
5,296
|
170
|
C
|
Mid
|
199
|
Go Away Green
|
5,270
|
170
|
Start
|
Low
|
200
|
Sienna
|
5,255
|
169
|
Start
|
Mid
|
201
|
Electronic color code
|
5,237
|
168
|
Start
|
Low
|
202
|
Spectral color
|
5,218
|
168
|
Start
|
High
|
203
|
National colours
|
5,211
|
168
|
Start
|
Mid
|
204
|
Equine coat color
|
5,208
|
168
|
Start
|
Low
|
205
|
Theory of Colours
|
5,158
|
166
|
B
|
High
|
206
|
Contrast (vision)
|
5,104
|
164
|
Start
|
High
|
207
|
List of international auto racing colours
|
5,102
|
164
|
Start
|
Low
|
208
|
Color scheme
|
4,995
|
161
|
Start
|
Mid
|
209
|
Light-on-dark color scheme
|
4,956
|
159
|
Start
|
Low
|
210
|
Egyptian blue
|
4,906
|
158
|
C
|
Mid
|
211
|
False color
|
4,901
|
158
|
Start
|
Mid
|
212
|
Natural dye
|
4,853
|
156
|
GA
|
Mid
|
213
|
Color grading
|
4,845
|
156
|
Start
|
Mid
|
214
|
Ivory (color)
|
4,810
|
155
|
Stub
|
Low
|
215
|
Marker pen
|
4,808
|
155
|
Start
|
Low
|
216
|
Congenital red–green color blindness
|
4,802
|
154
|
C
|
Mid
|
217
|
Viridian
|
4,718
|
152
|
Start
|
Low
|
218
|
Brightness
|
4,711
|
151
|
Start
|
Mid
|
219
|
Pan-Slavic colors
|
4,668
|
150
|
Start
|
Low
|
220
|
Chromophore
|
4,664
|
150
|
Start
|
Mid
|
221
|
Lime (color)
|
4,660
|
150
|
Start
|
Mid
|
222
|
CIELUV
|
4,659
|
150
|
Start
|
Mid
|
223
|
Coral (color)
|
4,646
|
149
|
Stub
|
Low
|
224
|
Traditional colors of Japan
|
4,543
|
146
|
Start
|
Mid
|
225
|
YPbPr
|
4,507
|
145
|
Start
|
Mid
|
226
|
Anti-flash white
|
4,501
|
145
|
Start
|
Mid
|
227
|
Phthalocyanine Green G
|
4,473
|
144
|
Start
|
Low
|
228
|
List of colors
|
4,438
|
143
|
NA
|
High
|
229
|
Shades of chartreuse
|
4,402
|
142
|
List
|
Mid
|
230
|
Gules
|
4,296
|
138
|
Start
|
Low
|
231
|
Cornflower blue
|
4,257
|
137
|
Stub
|
Low
|
232
|
Rose (color)
|
4,245
|
136
|
C
|
Low
|
233
|
Grapheme–color synesthesia
|
4,223
|
136
|
C
|
Low
|
234
|
Umber
|
4,210
|
135
|
Start
|
Low
|
235
|
Lake pigment
|
4,203
|
135
|
Start
|
Low
|
236
|
List of color palettes
|
4,169
|
134
|
List
|
Mid
|
237
|
Subtractive color
|
4,148
|
133
|
Start
|
High
|
238
|
RYB color model
|
4,145
|
133
|
C
|
Mid
|
239
|
YInMn Blue
|
4,144
|
133
|
B
|
Low
|
240
|
8-bit color
|
4,117
|
132
|
Start
|
Low
|
241
|
Rosso corsa
|
4,084
|
131
|
Start
|
Low
|
242
|
Electric blue (color)
|
4,045
|
130
|
Start
|
Low
|
243
|
ICC profile
|
4,044
|
130
|
C
|
Low
|
244
|
Silver (color)
|
4,018
|
129
|
Start
|
Mid
|
245
|
Autumn leaf color
|
4,016
|
129
|
C
|
Mid
|
246
|
Polychrome
|
4,001
|
129
|
C
|
Mid
|
247
|
Film colorization
|
3,998
|
128
|
C
|
Low
|
248
|
School colors
|
3,971
|
128
|
Start
|
Mid
|
249
|
Lincoln green
|
3,965
|
127
|
C
|
Low
|
250
|
International orange
|
3,854
|
124
|
Stub
|
Low
|
251
|
Feldgrau
|
3,833
|
123
|
Start
|
Low
|
252
|
Structural coloration
|
3,767
|
121
|
GA
|
Mid
|
253
|
Sunset (color)
|
3,722
|
120
|
Start
|
Low
|
254
|
Chromotherapy
|
3,635
|
117
|
C
|
Low
|
255
|
25-pair color code
|
3,633
|
117
|
Start
|
Low
|
256
|
Earth tone
|
3,622
|
116
|
Stub
|
Low
|
257
|
EnChroma
|
3,600
|
116
|
Start
|
Mid
|
258
|
Chromophobia
|
3,577
|
115
|
Start
|
Mid
|
259
|
Natural Color System
|
3,564
|
114
|
Start
|
High
|
260
|
Mustard (color)
|
3,562
|
114
|
Stub
|
Low
|
261
|
Kumkuma
|
3,520
|
113
|
Start
|
Mid
|
262
|
Color balance
|
3,488
|
112
|
Start
|
High
|
263
|
Argent
|
3,482
|
112
|
Start
|
Low
|
264
|
Hypercolor
|
3,455
|
111
|
C
|
Low
|
265
|
Color analysis
|
3,431
|
110
|
Start
|
Mid
|
266
|
Chromaticity
|
3,422
|
110
|
Start
|
High
|
267
|
Cerise (color)
|
3,373
|
108
|
Stub
|
Low
|
268
|
Amaranth (color)
|
3,372
|
108
|
Start
|
Low
|
269
|
List of color spaces and their uses
|
3,327
|
107
|
Start
|
High
|
270
|
Thermochromism
|
3,301
|
106
|
Start
|
Low
|
271
|
Copper (color)
|
3,284
|
105
|
Stub
|
Low
|
272
|
Color of chemicals
|
3,282
|
105
|
C
|
High
|
273
|
Shades of rose
|
3,280
|
105
|
List
|
Mid
|
274
|
Newton disc
|
3,248
|
104
|
C
|
Mid
|
275
|
Additive color
|
3,199
|
103
|
Start
|
High
|
276
|
RGB color spaces
|
3,192
|
102
|
Start
|
Mid
|
277
|
Aqua (color)
|
3,185
|
102
|
Stub
|
Mid
|
278
|
Trichromacy
|
3,136
|
101
|
C
|
High
|
279
|
Dichromacy
|
3,121
|
100
|
Start
|
Mid
|
280
|
Blue-gray
|
3,093
|
99
|
C
|
Low
|
281
|
Wine (color)
|
3,084
|
99
|
Stub
|
Low
|
282
|
Peach (color)
|
3,030
|
97
|
Stub
|
Low
|
283
|
Von Luschan's chromatic scale
|
3,021
|
97
|
Start
|
Low
|
284
|
Falu red
|
3,003
|
96
|
Start
|
Low
|
285
|
Monochromacy
|
2,987
|
96
|
C
|
Mid
|
286
|
Gendered associations of pink and blue
|
2,981
|
96
|
C
|
Mid
|
287
|
Midnight blue
|
2,920
|
94
|
Start
|
Low
|
288
|
Color model
|
2,905
|
93
|
B
|
High
|
289
|
Aquamarine (color)
|
2,881
|
92
|
Stub
|
Low
|
290
|
Colored pencil
|
2,881
|
92
|
C
|
High
|
291
|
Demosaicing
|
2,865
|
92
|
Start
|
Low
|
292
|
Sable (heraldry)
|
2,847
|
91
|
Stub
|
Low
|
293
|
Robin egg blue
|
2,838
|
91
|
Stub
|
Low
|
294
|
Opponent process
|
2,815
|
90
|
Start
|
High
|
295
|
Alvy Ray Smith
|
2,787
|
89
|
Start
|
Low
|
296
|
Metamerism (color)
|
2,761
|
89
|
Start
|
High
|
297
|
Analogous colors
|
2,741
|
88
|
Stub
|
Mid
|
298
|
Bronze (color)
|
2,740
|
88
|
Start
|
Mid
|
299
|
Savoy blue
|
2,728
|
88
|
C
|
Low
|
300
|
Salmon (color)
|
2,705
|
87
|
Start
|
Low
|
301
|
Champagne (color)
|
2,636
|
85
|
Stub
|
Low
|
302
|
Light blue
|
2,595
|
83
|
Stub
|
Low
|
303
|
Fawn (colour)
|
2,582
|
83
|
Stub
|
Low
|
304
|
List of inorganic pigments
|
2,572
|
82
|
List
|
Low
|
305
|
History of Crayola crayons
|
2,559
|
82
|
C
|
Low
|
306
|
Linguistic relativity and the color naming debate
|
2,544
|
82
|
Start
|
Mid
|
307
|
Sage (color)
|
2,502
|
80
|
Stub
|
Low
|
308
|
ColorChecker
|
2,487
|
80
|
Start
|
Mid
|
309
|
Animal coloration
|
2,481
|
80
|
GA
|
Mid
|
310
|
Adobe RGB color space
|
2,478
|
79
|
Start
|
Mid
|
311
|
Lightness
|
2,461
|
79
|
Start
|
High
|
312
|
Air Force blue
|
2,451
|
79
|
Start
|
Low
|
313
|
Rose madder
|
2,431
|
78
|
Start
|
Low
|
314
|
Glaucous
|
2,431
|
78
|
Stub
|
Low
|
315
|
Colour banding
|
2,422
|
78
|
Stub
|
Low
|
316
|
Azure (heraldry)
|
2,422
|
78
|
Start
|
Low
|
317
|
Red pigments
|
2,408
|
77
|
C
|
Low
|
318
|
Colors of the day in Thailand
|
2,400
|
77
|
Stub
|
Low
|
319
|
Rec. 2100
|
2,398
|
77
|
Start
|
Low
|
320
|
Color management
|
2,391
|
77
|
Start
|
Mid
|
321
|
Safety orange
|
2,389
|
77
|
Start
|
Low
|
322
|
Photographic print toning
|
2,376
|
76
|
Start
|
Mid
|
323
|
Or (heraldry)
|
2,359
|
76
|
Stub
|
Low
|
324
|
Colorimetry
|
2,343
|
75
|
Start
|
High
|
325
|
Mountbatten pink
|
2,341
|
75
|
GA
|
Low
|
326
|
Red-violet
|
2,340
|
75
|
Stub
|
Low
|
327
|
Diffuse sky radiation
|
2,318
|
74
|
C
|
Mid
|
328
|
Color gradient
|
2,313
|
74
|
Start
|
Low
|
329
|
Tawny (color)
|
2,300
|
74
|
Start
|
Low
|
330
|
Alice blue
|
2,290
|
73
|
Stub
|
Low
|
331
|
Color chart
|
2,276
|
73
|
Start
|
Mid
|
332
|
Shades of azure
|
2,275
|
73
|
NA
|
NA
|
333
|
School bus yellow
|
2,274
|
73
|
Start
|
Low
|
334
|
Color printing
|
2,263
|
73
|
C
|
High
|
335
|
Color code
|
2,262
|
72
|
Start
|
Mid
|
336
|
Chestnut (color)
|
2,250
|
72
|
Stub
|
Low
|
337
|
Sapphire (color)
|
2,237
|
72
|
Stub
|
Low
|
338
|
Bleu de France (colour)
|
2,233
|
72
|
Start
|
Low
|
339
|
Green in Islam
|
2,228
|
71
|
Stub
|
Low
|
340
|
Carolina blue
|
2,219
|
71
|
Start
|
Mid
|
341
|
Relative luminance
|
2,218
|
71
|
Start
|
Mid
|
342
|
Colors (Ken Nordine album)
|
2,213
|
71
|
Start
|
Low
|
343
|
Xanthochromia
|
2,188
|
70
|
Start
|
Low
|
344
|
Persian blue
|
2,184
|
70
|
Stub
|
Low
|
345
|
Blood red
|
2,167
|
69
|
Stub
|
Low
|
346
|
Han purple and Han blue
|
2,165
|
69
|
B
|
Mid
|
347
|
Glare (vision)
|
2,151
|
69
|
Start
|
Low
|
348
|
Color vision test
|
2,148
|
69
|
B
|
High
|
349
|
Solarized
|
2,114
|
68
|
Start
|
Low
|
350
|
Colour trade mark
|
2,081
|
67
|
Start
|
High
|
351
|
Blue in culture
|
2,081
|
67
|
B
|
High
|
352
|
Black-and-white dualism
|
2,073
|
66
|
Start
|
Low
|
353
|
Super black
|
2,060
|
66
|
Start
|
Mid
|
354
|
Plum (color)
|
2,059
|
66
|
Start
|
Mid
|
355
|
Ruby (color)
|
2,056
|
66
|
Start
|
Mid
|
356
|
Columbia blue
|
2,046
|
66
|
Stub
|
Low
|
357
|
Color science
|
2,045
|
65
|
Stub
|
Top
|
358
|
Cream (colour)
|
2,039
|
65
|
Stub
|
Low
|
359
|
Wine color
|
2,035
|
65
|
Start
|
Low
|
360
|
Russet (color)
|
2,029
|
65
|
Stub
|
Low
|
361
|
Caput mortuum (pigment)
|
2,026
|
65
|
Start
|
Low
|
362
|
Wilhelm Ostwald
|
2,003
|
64
|
C
|
Mid
|
363
|
Complexion
|
2,000
|
64
|
Start
|
Low
|
364
|
Optical brightener
|
1,979
|
63
|
Start
|
Mid
|
365
|
Lightfastness
|
1,969
|
63
|
Start
|
Mid
|
366
|
Dracula (color scheme)
|
1,967
|
63
|
C
|
Low
|
367
|
Maya blue
|
1,922
|
62
|
C
|
Low
|
368
|
Lemon (color)
|
1,907
|
61
|
Stub
|
Low
|
369
|
Mahogany (color)
|
1,898
|
61
|
Stub
|
Low
|
370
|
Slate gray
|
1,891
|
61
|
Stub
|
Low
|
371
|
Color-blocking
|
1,869
|
60
|
Start
|
Low
|
372
|
Palette (computing)
|
1,834
|
59
|
C
|
Mid
|
373
|
List of dyes
|
1,823
|
58
|
List
|
Mid
|
374
|
Color constancy
|
1,807
|
58
|
Start
|
Mid
|
375
|
Oxblood
|
1,793
|
57
|
Start
|
Low
|
376
|
Johannes Itten
|
1,789
|
57
|
Start
|
Mid
|
377
|
Rust (color)
|
1,771
|
57
|
Stub
|
Low
|
378
|
Baby blue
|
1,769
|
57
|
Stub
|
Low
|
379
|
Cambridge Blue (colour)
|
1,758
|
56
|
Start
|
Low
|
380
|
List of people with color blindness
|
1,750
|
56
|
List
|
Low
|
381
|
Gamboge
|
1,729
|
55
|
Start
|
Low
|
382
|
Hand-colouring of photographs
|
1,713
|
55
|
C
|
Mid
|
383
|
Soil color
|
1,697
|
54
|
Start
|
Low
|
384
|
LMS color space
|
1,689
|
54
|
Start
|
Mid
|
385
|
Basic Color Terms
|
1,688
|
54
|
Start
|
Mid
|
386
|
Mars surface color
|
1,673
|
53
|
B
|
Low
|
387
|
LED strip light
|
1,665
|
53
|
C
|
Low
|
388
|
Old gold
|
1,656
|
53
|
Start
|
Low
|
389
|
Color correction
|
1,650
|
53
|
Start
|
Mid
|
390
|
Tertiary color
|
1,638
|
52
|
NA
|
High
|
391
|
Rich black
|
1,625
|
52
|
C
|
Mid
|
392
|
Spectral power distribution
|
1,613
|
52
|
Start
|
High
|
393
|
Chrominance
|
1,605
|
51
|
Start
|
Mid
|
394
|
Color blind glasses
|
1,605
|
51
|
B
|
Mid
|
395
|
Heliotrope (color)
|
1,601
|
51
|
Stub
|
Low
|
396
|
Byzantium (color)
|
1,600
|
51
|
Start
|
Low
|
397
|
Color appearance model
|
1,595
|
51
|
Start
|
Mid
|
398
|
International Commission on Illumination
|
1,587
|
51
|
Start
|
High
|
399
|
High color
|
1,587
|
51
|
Start
|
Low
|
400
|
Color filter array
|
1,568
|
50
|
C
|
Low
|
401
|
Image gradient
|
1,556
|
50
|
Stub
|
Mid
|
402
|
List of 16-bit computer color palettes
|
1,549
|
49
|
List
|
Low
|
403
|
Indexed color
|
1,548
|
49
|
C
|
High
|
404
|
Color preferences
|
1,546
|
49
|
Stub
|
Mid
|
405
|
New riddle of induction
|
1,528
|
49
|
Start
|
Low
|
406
|
Color quantization
|
1,528
|
49
|
C
|
High
|
407
|
Coquelicot
|
1,525
|
49
|
Start
|
Low
|
408
|
Cadet grey
|
1,520
|
49
|
Start
|
Low
|
409
|
Payne's grey
|
1,516
|
48
|
Stub
|
Mid
|
410
|
Color of the day (police)
|
1,515
|
48
|
Start
|
Low
|
411
|
Planckian locus
|
1,509
|
48
|
C
|
Mid
|
412
|
Young–Helmholtz theory
|
1,509
|
48
|
Stub
|
High
|
413
|
Majorelle Blue
|
1,495
|
48
|
Stub
|
Low
|
414
|
Color war
|
1,471
|
47
|
Stub
|
Low
|
415
|
St. Patrick's blue
|
1,471
|
47
|
Start
|
Low
|
416
|
Gray card
|
1,465
|
47
|
Start
|
Low
|
417
|
HCL color space
|
1,463
|
47
|
Start
|
Mid
|
418
|
Contrast effect
|
1,461
|
47
|
C
|
Mid
|
419
|
Desert sand (color)
|
1,460
|
47
|
Start
|
Low
|
420
|
YIQ
|
1,458
|
47
|
Start
|
Low
|
421
|
Alizarin crimson (color)
|
1,458
|
47
|
Stub
|
Mid
|
422
|
Chrome yellow
|
1,457
|
47
|
Start
|
Mid
|
423
|
ProPhoto RGB color space
|
1,455
|
46
|
Start
|
Low
|
424
|
ISCC–NBS system
|
1,454
|
46
|
Start
|
High
|
425
|
Apricot (color)
|
1,447
|
46
|
Stub
|
Low
|
426
|
APHA color
|
1,442
|
46
|
Start
|
Low
|
427
|
Tricolour
|
1,441
|
46
|
NA
|
NA
|
428
|
Dinosaur coloration
|
1,436
|
46
|
C
|
Mid
|
429
|
Rufous
|
1,433
|
46
|
Start
|
Low
|
430
|
Dodger blue
|
1,431
|
46
|
Start
|
Low
|
431
|
Hyaline
|
1,430
|
46
|
Stub
|
Low
|
432
|
Inverted spectrum
|
1,428
|
46
|
B
|
Low
|
433
|
Steel blue
|
1,412
|
45
|
Stub
|
Low
|
434
|
Forest green
|
1,404
|
45
|
Stub
|
Low
|
435
|
Eggplant (color)
|
1,393
|
44
|
Stub
|
Low
|
436
|
Photochromism
|
1,387
|
44
|
C
|
Low
|
437
|
Harmony (color)
|
1,378
|
44
|
C
|
High
|
438
|
Bastard color
|
1,374
|
44
|
Stub
|
Low
|
439
|
Citrine (colour)
|
1,372
|
44
|
Stub
|
Low
|
440
|
Platinum (color)
|
1,368
|
44
|
Stub
|
Low
|
441
|
Xanthochromism
|
1,359
|
43
|
Stub
|
Low
|
442
|
Coyote brown
|
1,355
|
43
|
Stub
|
Mid
|
443
|
Powder blue
|
1,352
|
43
|
Stub
|
Low
|
444
|
Color picker
|
1,351
|
43
|
Start
|
Low
|
445
|
Alcian blue stain
|
1,345
|
43
|
C
|
Low
|
446
|
Colour Index International
|
1,332
|
42
|
Start
|
Mid
|
447
|
Iron oxide red
|
1,331
|
42
|
Stub
|
Low
|
448
|
White point
|
1,327
|
42
|
Start
|
High
|
449
|
List of historical sources for pink and blue as gender signifiers
|
1,325
|
42
|
List
|
Low
|
450
|
Colour fastness
|
1,312
|
42
|
Start
|
Low
|
451
|
Orchid (color)
|
1,304
|
42
|
Stub
|
Low
|
452
|
Iris (color)
|
1,302
|
42
|
Stub
|
Low
|
453
|
Lüscher color test
|
1,297
|
41
|
Start
|
Low
|
454
|
List of animals that can change color
|
1,282
|
41
|
List
|
Low
|
455
|
Channel (digital image)
|
1,270
|
40
|
C
|
Mid
|
456
|
Metallic color
|
1,257
|
40
|
Start
|
Mid
|
457
|
Domain coloring
|
1,256
|
40
|
C
|
Low
|
458
|
Tooth discoloration
|
1,244
|
40
|
C
|
Low
|
459
|
Day-Glo Color Corp.
|
1,244
|
40
|
Start
|
Mid
|
460
|
PAL-M
|
1,222
|
39
|
Start
|
Low
|
461
|
Abnormal urine color
|
1,222
|
39
|
Start
|
Low
|
462
|
Sepia tone
|
1,221
|
39
|
NA
|
Mid
|
463
|
Vair
|
1,212
|
39
|
Stub
|
Low
|
464
|
Cordovan (color)
|
1,207
|
38
|
Stub
|
Low
|
465
|
Cardinal (color)
|
1,201
|
38
|
Stub
|
Low
|
466
|
Duotone
|
1,198
|
38
|
Start
|
Low
|
467
|
Correlated color temperature
|
1,186
|
38
|
C
|
Low
|
468
|
X-Rite
|
1,175
|
37
|
Start
|
Low
|
469
|
Colorist
|
1,159
|
37
|
C
|
Low
|
470
|
Venetian red
|
1,157
|
37
|
Stub
|
Low
|
471
|
Standard-dynamic-range video
|
1,153
|
37
|
C
|
Mid
|
472
|
History of red
|
1,143
|
36
|
C
|
Mid
|
473
|
Non-photo blue
|
1,125
|
36
|
Start
|
Low
|
474
|
Fire engine red
|
1,125
|
36
|
Stub
|
Low
|
475
|
Bleu celeste
|
1,122
|
36
|
Start
|
Low
|
476
|
Fechner color
|
1,117
|
36
|
Start
|
Low
|
477
|
CMY color model
|
1,113
|
35
|
NA
|
High
|
478
|
Gray
|
1,107
|
35
|
NA
|
NA
|
479
|
Liver (color)
|
1,105
|
35
|
Stub
|
Low
|
480
|
Rifle green
|
1,105
|
35
|
NA
|
Low
|
481
|
CIECAM02
|
1,102
|
35
|
B
|
High
|
482
|
Chocolate (color)
|
1,101
|
35
|
Start
|
Low
|
483
|
List of chicken colours
|
1,098
|
35
|
List
|
Low
|
484
|
Fulvous
|
1,094
|
35
|
Start
|
Low
|
485
|
Eton blue
|
1,091
|
35
|
Stub
|
Low
|
486
|
Spot color
|
1,090
|
35
|
Start
|
High
|
487
|
Bistre
|
1,090
|
35
|
Start
|
Mid
|
488
|
Marian blue
|
1,089
|
35
|
Start
|
Low
|
489
|
Wide-gamut RGB color space
|
1,083
|
34
|
Start
|
Mid
|
490
|
Budgerigar colour genetics
|
1,081
|
34
|
Start
|
Low
|
491
|
Purpure
|
1,070
|
34
|
Start
|
Low
|
492
|
Color gel
|
1,068
|
34
|
Start
|
Low
|
493
|
Line of purples
|
1,063
|
34
|
Start
|
Mid
|
494
|
Spectral sensitivity
|
1,054
|
34
|
Start
|
Mid
|
495
|
Aureolin
|
1,052
|
33
|
Stub
|
Low
|
496
|
Android green
|
1,050
|
33
|
Stub
|
Low
|
497
|
Coffee (color)
|
1,046
|
33
|
Start
|
Low
|
498
|
Van Dyke brown
|
1,044
|
33
|
Stub
|
Low
|
499
|
Federal Standard 595
|
1,043
|
33
|
Stub
|
Low
|
500
|
Composite artifact colors
|
1,029
|
33
|
C
|
Low
|
501
|
Flax (color)
|
1,020
|
32
|
Stub
|
Low
|
502
|
Orcein
|
1,017
|
32
|
Start
|
Mid
|
503
|
Selective yellow
|
1,012
|
32
|
C
|
Low
|
504
|
Farnsworth–Munsell 100 hue test
|
1,010
|
32
|
C
|
Low
|
505
|
Printing registration
|
1,007
|
32
|
C
|
Low
|
506
|
Visual processing
|
1,006
|
32
|
C
|
Low
|
507
|
List of color film systems
|
997
|
32
|
List
|
Low
|
508
|
Illuminant D65
|
993
|
32
|
NA
|
Mid
|
509
|
MacAdam ellipse
|
992
|
32
|
C
|
High
|
510
|
Raspberry (color)
|
992
|
32
|
Start
|
Low
|
511
|
Electrochromism
|
985
|
31
|
C
|
Low
|
512
|
High Capacity Color Barcode
|
976
|
31
|
C
|
Low
|
513
|
Yale Blue
|
975
|
31
|
Start
|
Low
|
514
|
Jonquil (color)
|
967
|
31
|
Stub
|
Low
|
515
|
Goldenrod (color)
|
967
|
31
|
Start
|
Low
|
516
|
Color solid
|
966
|
31
|
Start
|
High
|
517
|
Drab (color)
|
958
|
30
|
Stub
|
Low
|
518
|
Vert (heraldry)
|
956
|
30
|
Start
|
Low
|
519
|
RG color models
|
939
|
30
|
C
|
Mid
|
520
|
Chromatic adaptation
|
928
|
29
|
Start
|
Mid
|
521
|
Marengo (color)
|
918
|
29
|
Start
|
Low
|
522
|
Palatinate (colour)
|
917
|
29
|
Start
|
Low
|
523
|
Candy apple red
|
914
|
29
|
Start
|
Low
|
524
|
Marigold (color)
|
914
|
29
|
Stub
|
Low
|
525
|
Eggshell (color)
|
906
|
29
|
Stub
|
Low
|
526
|
Unique hues
|
893
|
28
|
C
|
Mid
|
527
|
ICtCp
|
887
|
28
|
C
|
Mid
|
528
|
Cerebral achromatopsia
|
871
|
28
|
C
|
Low
|
529
|
Camel (color)
|
865
|
27
|
Start
|
Low
|
530
|
Colorburst
|
863
|
27
|
Start
|
Low
|
531
|
Color histogram
|
851
|
27
|
Start
|
Mid
|
532
|
Calcein
|
848
|
27
|
Start
|
Low
|
533
|
Mexican pink
|
835
|
26
|
Start
|
Low
|
534
|
Magnolia (color)
|
818
|
26
|
Stub
|
Low
|
535
|
ScRGB
|
818
|
26
|
Start
|
Mid
|
536
|
History of spectroscopy
|
818
|
26
|
C
|
Mid
|
537
|
Mulberry (color)
|
815
|
26
|
Stub
|
Low
|
538
|
Wheat (color)
|
800
|
25
|
Stub
|
Low
|
539
|
Philosophy of color
|
793
|
25
|
Start
|
High
|
540
|
Utility location
|
781
|
25
|
Start
|
Mid
|
541
|
Vision science
|
772
|
24
|
Start
|
Mid
|
542
|
Citron (color)
|
772
|
24
|
Stub
|
Low
|
543
|
Sinopia
|
771
|
24
|
Start
|
Low
|
544
|
Vanilla (color)
|
769
|
24
|
Start
|
Mid
|
545
|
Color triangle
|
768
|
24
|
Start
|
High
|
546
|
Dominant wavelength
|
767
|
24
|
Start
|
High
|
547
|
Kruithof curve
|
754
|
24
|
C
|
Mid
|
548
|
Colourant
|
754
|
24
|
Stub
|
High
|
549
|
Standard Reference Method
|
753
|
24
|
C
|
Low
|
550
|
Sakura Color Products Corporation
|
753
|
24
|
Stub
|
Low
|
551
|
Evolution of color vision
|
752
|
24
|
Start
|
Mid
|
552
|
On Vision and Colours
|
750
|
24
|
Start
|
Low
|
553
|
Color calibration
|
747
|
24
|
Start
|
Mid
|
554
|
Olive drab
|
745
|
24
|
NA
|
NA
|
555
|
Abney effect
|
744
|
24
|
B
|
Mid
|
556
|
Albert Henry Munsell
|
741
|
23
|
Start
|
Mid
|
557
|
Tenné
|
739
|
23
|
B
|
Low
|
558
|
Index of color-related articles
|
731
|
23
|
Start
|
Mid
|
559
|
Evolution of color vision in primates
|
725
|
23
|
C
|
Mid
|
560
|
Capri (color)
|
720
|
23
|
Stub
|
Low
|
561
|
YCoCg
|
720
|
23
|
C
|
Mid
|
562
|
Cyanometer
|
713
|
23
|
Stub
|
Low
|
563
|
Pearl (color)
|
708
|
22
|
Stub
|
Low
|
564
|
Solvatochromism
|
703
|
22
|
Start
|
Low
|
565
|
Mysore Paints and Varnish
|
697
|
22
|
Start
|
Low
|
566
|
Murrey
|
696
|
22
|
Stub
|
Low
|
567
|
Red in culture
|
693
|
22
|
C
|
High
|
568
|
Zaffre
|
679
|
21
|
Stub
|
Mid
|
569
|
Maize (color)
|
676
|
21
|
Stub
|
Low
|
570
|
Oren–Nayar reflectance model
|
665
|
21
|
C
|
Low
|
571
|
Lion (color)
|
660
|
21
|
Stub
|
Low
|
572
|
Jungle green
|
655
|
21
|
C
|
Low
|
573
|
Acid green
|
646
|
20
|
Stub
|
Low
|
574
|
XvYCC
|
644
|
20
|
Start
|
Low
|
575
|
ColorADD
|
642
|
20
|
Start
|
Low
|
576
|
Cinereous
|
638
|
20
|
Stub
|
Low
|
577
|
Lava (color)
|
628
|
20
|
Stub
|
Low
|
578
|
PALplus
|
626
|
20
|
C
|
Low
|
579
|
Image color transfer
|
626
|
20
|
Start
|
Low
|
580
|
Straw (colour)
|
625
|
20
|
Stub
|
Low
|
581
|
Arylide yellow
|
619
|
19
|
Stub
|
Low
|
582
|
Tangerine (color)
|
614
|
19
|
Stub
|
Low
|
583
|
Eyeborg
|
614
|
19
|
Start
|
Low
|
584
|
Erin (color)
|
613
|
19
|
Stub
|
Low
|
585
|
Cream (color)
|
610
|
19
|
NA
|
Low
|
586
|
Color of clothing
|
597
|
19
|
Start
|
Mid
|
587
|
Zinc white
|
594
|
19
|
C
|
Mid
|
588
|
Dichroic filter
|
584
|
18
|
NA
|
NA
|
589
|
Blue light spectrum
|
583
|
18
|
C
|
Unknown
|
590
|
HSV color space
|
558
|
18
|
NA
|
High
|
591
|
Blush (color)
|
557
|
17
|
Stub
|
Low
|
592
|
Jasmine (color)
|
535
|
17
|
Stub
|
Low
|
593
|
Tristimulus colorimeter
|
533
|
17
|
Stub
|
Low
|
594
|
Duke blue
|
531
|
17
|
Stub
|
Low
|
595
|
Mired
|
530
|
17
|
Start
|
Mid
|
596
|
Colored smoke
|
530
|
17
|
Stub
|
Mid
|
597
|
Color organ
|
529
|
17
|
C
|
Low
|
598
|
Floral color change
|
529
|
17
|
C
|
Low
|
599
|
Beta movement
|
528
|
17
|
C
|
Low
|
600
|
Synthetic colorant
|
525
|
16
|
C
|
Low
|
601
|
Margaret Hayden Rorke
|
524
|
16
|
C
|
Low
|
602
|
Gene therapy for color blindness
|
520
|
16
|
C
|
Low
|
603
|
Field-sequential color system
|
519
|
16
|
C
|
Low
|
604
|
Carnelian (color)
|
518
|
16
|
Stub
|
Low
|
605
|
Tuscan red
|
515
|
16
|
Start
|
Low
|
606
|
Gardner color scale
|
512
|
16
|
Stub
|
Mid
|
607
|
Rose pink
|
511
|
16
|
Stub
|
Low
|
608
|
Hexachrome
|
508
|
16
|
Start
|
Low
|
609
|
Map coloring
|
506
|
16
|
Start
|
Low
|
610
|
Persian red
|
500
|
16
|
Stub
|
Low
|
611
|
Color print film
|
494
|
15
|
Start
|
Low
|
612
|
Grassmann's laws (color science)
|
490
|
15
|
Start
|
Mid
|
613
|
Colour recovery
|
488
|
15
|
C
|
Low
|
614
|
MERDC camouflage
|
485
|
15
|
Stub
|
Low
|
615
|
Navajo white
|
470
|
15
|
Stub
|
Low
|
616
|
Double cone (biology)
|
462
|
14
|
Start
|
Low
|
617
|
Colorpuncture
|
461
|
14
|
C
|
Low
|
618
|
Blue Wool Scale
|
452
|
14
|
Stub
|
Low
|
619
|
International Color Consortium
|
447
|
14
|
Start
|
Mid
|
620
|
Mars Black (pigment)
|
434
|
14
|
Stub
|
Low
|
621
|
CcMmYK color model
|
433
|
13
|
Stub
|
Low
|
622
|
Cerulean blue
|
423
|
13
|
NA
|
NA
|
623
|
Chromism
|
423
|
13
|
C
|
Low
|
624
|
On Colors
|
420
|
13
|
Start
|
Low
|
625
|
HWB color model
|
417
|
13
|
Stub
|
Low
|
626
|
CIE 1960 color space
|
410
|
13
|
Start
|
Low
|
627
|
Ewald Hering
|
409
|
13
|
Start
|
Mid
|
628
|
Coventry blue
|
407
|
13
|
Stub
|
Low
|
629
|
Reseda green
|
406
|
13
|
Stub
|
Low
|
630
|
Colour cast
|
395
|
12
|
Start
|
Mid
|
631
|
Color cycling
|
392
|
12
|
Start
|
Low
|
632
|
Azurite (pigment)
|
391
|
12
|
Stub
|
Low
|
633
|
Harvest gold
|
384
|
12
|
Stub
|
Low
|
634
|
Sanguine (heraldry)
|
379
|
12
|
Stub
|
Low
|
635
|
Color reproduction
|
378
|
12
|
Stub
|
High
|
636
|
Carnation (heraldry)
|
372
|
12
|
Stub
|
Low
|
637
|
Marrs green
|
372
|
12
|
Stub
|
Low
|
638
|
The Secret Lives of Colour
|
370
|
11
|
C
|
Low
|
639
|
Bice
|
367
|
11
|
Stub
|
Low
|
640
|
American Association of Textile Chemists and Colorists
|
364
|
11
|
Stub
|
Mid
|
641
|
Ostwald color system
|
364
|
11
|
C
|
High
|
642
|
Bezold–Brücke shift
|
359
|
11
|
Stub
|
Low
|
643
|
Rg chromaticity
|
346
|
11
|
Stub
|
Low
|
644
|
Local color (visual art)
|
345
|
11
|
Stub
|
Low
|
645
|
CIE 1964 color space
|
343
|
11
|
Stub
|
Low
|
646
|
Pompeian red
|
332
|
10
|
B
|
Low
|
647
|
Seashell (color)
|
330
|
10
|
Stub
|
Low
|
648
|
Color Association of the United States
|
327
|
10
|
Start
|
Mid
|
649
|
Fallow (color)
|
327
|
10
|
Stub
|
Low
|
650
|
Color rendering
|
327
|
10
|
Start
|
Mid
|
651
|
French gray
|
321
|
10
|
Stub
|
Low
|
652
|
Dandelion (crayon color)
|
321
|
10
|
Start
|
Low
|
653
|
Seal brown
|
316
|
10
|
Stub
|
Low
|
654
|
Bole (color)
|
312
|
10
|
Start
|
Low
|
655
|
International Colour Day
|
312
|
10
|
Start
|
Mid
|
656
|
Burnt sienna
|
310
|
10
|
NA
|
Mid
|
657
|
Bondi blue
|
306
|
9
|
NA
|
NA
|
658
|
Brunswick green
|
298
|
9
|
NA
|
Low
|
659
|
Werner's Nomenclature of Colours
|
296
|
9
|
Stub
|
Low
|
660
|
Spring bud
|
294
|
9
|
C
|
Low
|
661
|
HKS (colour system)
|
292
|
9
|
Stub
|
Low
|
662
|
Cendrée
|
287
|
9
|
Stub
|
Low
|
663
|
Cyclamen (color)
|
287
|
9
|
NA
|
Low
|
664
|
Carnation pink
|
283
|
9
|
NA
|
Low
|
665
|
Cynthia Brewer
|
282
|
9
|
Start
|
Low
|
666
|
Jacob Christoph Le Blon
|
279
|
9
|
Start
|
Low
|
667
|
ASC CDL
|
274
|
8
|
Start
|
Low
|
668
|
Halochromism
|
273
|
8
|
Start
|
Low
|
669
|
Color phi phenomenon
|
272
|
8
|
Start
|
Low
|
670
|
Titanium yellow
|
272
|
8
|
Stub
|
Low
|
671
|
Color task
|
268
|
8
|
B
|
Mid
|
672
|
Continuous tone
|
267
|
8
|
Start
|
Low
|
673
|
Memory color effect
|
266
|
8
|
C
|
Mid
|
674
|
IT8
|
258
|
8
|
Start
|
Low
|
675
|
National colours of Portugal
|
258
|
8
|
Start
|
Low
|
676
|
Burnt umber
|
256
|
8
|
NA
|
Mid
|
677
|
Hunter Lab
|
256
|
8
|
Start
|
Low
|
678
|
Dark blue (color)
|
252
|
8
|
NA
|
Low
|
679
|
Color coding in data visualization
|
252
|
8
|
NA
|
High
|
680
|
Moses Harris
|
248
|
8
|
Start
|
Mid
|
681
|
Bipack color
|
245
|
7
|
C
|
Low
|
682
|
Specifications for Web Offset Publications
|
237
|
7
|
Start
|
Low
|
683
|
YDbDr
|
236
|
7
|
Start
|
Low
|
684
|
Orange (heraldry)
|
235
|
7
|
Stub
|
Low
|
685
|
Standard Color Reference of America
|
226
|
7
|
Start
|
Low
|
686
|
Spring green (color)
|
226
|
7
|
NA
|
NA
|
687
|
Amethyst (color)
|
224
|
7
|
NA
|
NA
|
688
|
Hunt effect (color)
|
219
|
7
|
Stub
|
Low
|
689
|
ColorCode 3-D
|
218
|
7
|
Start
|
Low
|
690
|
Color suite
|
214
|
6
|
Start
|
Low
|
691
|
Icterine
|
214
|
6
|
Stub
|
Low
|
692
|
Polka-dot paint
|
213
|
6
|
Start
|
Low
|
693
|
TSL color space
|
211
|
6
|
Stub
|
Low
|
694
|
Ao (color)
|
209
|
6
|
NA
|
Low
|
695
|
Color Marketing Group
|
209
|
6
|
Stub
|
Low
|
696
|
Color normalization
|
209
|
6
|
Start
|
Mid
|
697
|
Ruddy
|
203
|
6
|
NA
|
NA
|
698
|
Color Naming System
|
202
|
6
|
Start
|
Low
|
699
|
Multi-primary color display
|
202
|
6
|
Stub
|
Low
|
700
|
International Colour Association
|
196
|
6
|
C
|
Mid
|
701
|
Color reaction
|
195
|
6
|
Stub
|
Mid
|
702
|
Coloroid
|
189
|
6
|
Stub
|
Low
|
703
|
Coloured Book protocols
|
186
|
6
|
C
|
Low
|
704
|
Teal (color)
|
186
|
6
|
NA
|
NA
|
705
|
Alumina effect pigment
|
186
|
6
|
Start
|
Low
|
706
|
PAL-S
|
185
|
5
|
Start
|
Low
|
707
|
Grey component replacement
|
183
|
5
|
Stub
|
Low
|
708
|
Historic paint analysis
|
180
|
5
|
C
|
Low
|
709
|
Windows Color System
|
179
|
5
|
Start
|
Mid
|
710
|
British Colour Council
|
179
|
5
|
Start
|
Mid
|
711
|
Practical Color Coordinate System
|
179
|
5
|
Stub
|
Low
|
712
|
Society of Dyers and Colourists
|
171
|
5
|
Stub
|
Mid
|
713
|
Mikado yellow
|
169
|
5
|
Stub
|
Low
|
714
|
Absolute color space
|
168
|
5
|
NA
|
Mid
|
715
|
Battleship grey
|
166
|
5
|
NA
|
NA
|
716
|
Pterobilin
|
164
|
5
|
Start
|
Low
|
717
|
OSA-UCS
|
161
|
5
|
Stub
|
Low
|
718
|
International Colour Authority
|
160
|
5
|
Stub
|
Low
|
719
|
Burned (image)
|
159
|
5
|
Start
|
Mid
|
720
|
Oil droplet
|
157
|
5
|
Start
|
Low
|
721
|
Golden ochre
|
157
|
5
|
C
|
Low
|
722
|
Moss green
|
156
|
5
|
NA
|
Low
|
723
|
Harlequin (color)
|
156
|
5
|
NA
|
NA
|
724
|
Rose (heraldic tincture)
|
154
|
4
|
Start
|
Low
|
725
|
Raisin black
|
152
|
4
|
Stub
|
Low
|
726
|
ColorZilla
|
151
|
4
|
Stub
|
Low
|
727
|
Zinzolin
|
151
|
4
|
B
|
Low
|
728
|
Whiteness (colorimetry)
|
150
|
4
|
Start
|
Low
|
729
|
Postage stamp color
|
148
|
4
|
C
|
Low
|
730
|
Rail Blue
|
144
|
4
|
NA
|
NA
|
731
|
Jade (color)
|
142
|
4
|
NA
|
Low
|
732
|
True Blue (color)
|
137
|
4
|
NA
|
Low
|
733
|
Colorway
|
136
|
4
|
NA
|
Low
|
734
|
Bernice Kentner
|
136
|
4
|
Start
|
Low
|
735
|
Attic ochre
|
134
|
4
|
C
|
Low
|
736
|
Emerald (color)
|
132
|
4
|
NA
|
Low
|
737
|
Coloured hat
|
122
|
3
|
Start
|
Low
|
738
|
Sinople
|
117
|
3
|
NA
|
NA
|
739
|
Peach black
|
116
|
3
|
Stub
|
Low
|
740
|
Army green
|
115
|
3
|
NA
|
NA
|
741
|
David MacAdam
|
114
|
3
|
Start
|
Mid
|
742
|
Color quality scale
|
112
|
3
|
Stub
|
Mid
|
743
|
Splash of color
|
112
|
3
|
Stub
|
Low
|
744
|
Principle of univariance
|
108
|
3
|
Stub
|
Low
|
745
|
Von Kries coefficient law
|
106
|
3
|
C
|
Low
|
746
|
Lemon chiffon
|
104
|
3
|
NA
|
Low
|
747
|
Color wheel (optics)
|
103
|
3
|
Stub
|
Low
|
748
|
Liquid color
|
100
|
3
|
C
|
Low
|
749
|
Munsell Color Company
|
98
|
3
|
Stub
|
Mid
|
750
|
ICAM (color appearance model)
|
98
|
3
|
Start
|
Low
|
751
|
Lusty gallant
|
91
|
2
|
Stub
|
Low
|
752
|
Leaf Color Chart
|
90
|
2
|
Stub
|
Low
|
753
|
Hansa yellow
|
88
|
2
|
NA
|
Low
|
754
|
UCLA Blue
|
86
|
2
|
NA
|
Low
|
755
|
Colorimeter
|
85
|
2
|
NA
|
High
|
756
|
Sea green
|
85
|
2
|
NA
|
Low
|
757
|
Hooker's green
|
84
|
2
|
NA
|
NA
|
758
|
Adams chromatic valence color space
|
80
|
2
|
Start
|
Mid
|
759
|
EciRGB
|
79
|
2
|
Stub
|
Low
|
760
|
Registration black
|
77
|
2
|
NA
|
Mid
|
761
|
Colour look-up table
|
76
|
2
|
NA
|
Low
|
762
|
Differential phase
|
76
|
2
|
Start
|
Low
|
763
|
Pinchin Johnson & Associates
|
73
|
2
|
Start
|
Low
|
764
|
Inter-Society Color Council
|
73
|
2
|
Start
|
Low
|
765
|
Upsdell red
|
72
|
2
|
Stub
|
Low
|
766
|
Color Light Output
|
71
|
2
|
Start
|
Low
|
767
|
Neugebauer equations
|
70
|
2
|
Stub
|
Mid
|
768
|
Ghost white
|
70
|
2
|
NA
|
NA
|
769
|
Tristimulus value
|
68
|
2
|
NA
|
Mid
|
770
|
Skyscope
|
68
|
2
|
Stub
|
Unknown
|
771
|
Charcoal (color)
|
67
|
2
|
NA
|
NA
|
772
|
Monochromatic colors
|
66
|
2
|
NA
|
Mid
|
773
|
The Color Association of the United States
|
65
|
2
|
NA
|
Mid
|
774
|
Pumpkin (color)
|
61
|
1
|
NA
|
NA
|
775
|
Deane B. Judd
|
60
|
1
|
Start
|
Low
|
776
|
Cycolor
|
58
|
1
|
Stub
|
Low
|
777
|
Klaer Lightende Spiegel der Verfkonst
|
57
|
1
|
Stub
|
Low
|
778
|
European Color Initiative
|
57
|
1
|
Start
|
Low
|
779
|
Nardo gray
|
56
|
1
|
NA
|
Low
|
780
|
Papaya whip
|
55
|
1
|
NA
|
Low
|
781
|
Brandeis blue
|
55
|
1
|
NA
|
NA
|
782
|
Forensic colorimetry
|
53
|
1
|
Start
|
Low
|
783
|
Myrtle (color)
|
52
|
1
|
NA
|
Low
|
784
|
Vantage theory
|
51
|
1
|
Start
|
Low
|
785
|
Ada Aline Urban
|
51
|
1
|
C
|
Low
|
786
|
Tekhelet in Judaism
|
50
|
1
|
NA
|
Low
|
787
|
Tufts Blue
|
50
|
1
|
NA
|
Low
|
788
|
Robert Birmelin
|
50
|
1
|
C
|
Low
|
789
|
Salmon pink
|
46
|
1
|
NA
|
Low
|
790
|
Corn (color)
|
44
|
1
|
NA
|
Low
|
791
|
Green-yellow
|
40
|
1
|
NA
|
Mid
|
792
|
Peach-yellow
|
40
|
1
|
NA
|
Low
|
793
|
Flame (color)
|
39
|
1
|
NA
|
NA
|
794
|
Pine green
|
38
|
1
|
NA
|
Low
|
795
|
Descriptive Color Names Dictionary
|
38
|
1
|
Stub
|
Low
|
796
|
Autotype (printing)
|
35
|
1
|
NA
|
NA
|
797
|
Two-color system
|
34
|
1
|
Stub
|
Low
|
798
|
George Palmer (colour theorist)
|
33
|
1
|
C
|
Low
|
799
|
Dark purple
|
32
|
1
|
NA
|
Low
|
800
|
Charles Albert Keeley
|
31
|
1
|
Start
|
Low
|
801
|
(255, 0, 0)
|
31
|
1
|
NA
|
NA
|
802
|
Jorrit Tornquist
|
31
|
1
|
Stub
|
Low
|
803
|
Under color addition
|
30
|
0
|
Stub
|
Low
|
804
|
The Colour Group
|
30
|
0
|
Stub
|
Low
|
805
|
Color volume
|
30
|
0
|
NA
|
NA
|
806
|
Rendering intent
|
29
|
0
|
NA
|
Mid
|
807
|
Lavender blush
|
28
|
0
|
NA
|
NA
|
808
|
Sap green
|
28
|
0
|
NA
|
Low
|
809
|
Hal Glicksman
|
28
|
0
|
Start
|
Low
|
810
|
Bright green
|
27
|
0
|
NA
|
NA
|
811
|
Color engraving
|
27
|
0
|
Stub
|
Low
|
812
|
Davy's grey
|
26
|
0
|
NA
|
Low
|
813
|
Spray booth
|
26
|
0
|
NA
|
NA
|
814
|
Redwood (color)
|
26
|
0
|
NA
|
NA
|
815
|
Hermann Alfred Tanner
|
26
|
0
|
GA
|
Low
|
816
|
Variations of gray
|
24
|
0
|
NA
|
NA
|
817
|
Fern green
|
23
|
0
|
NA
|
Low
|
818
|
Henry Hemmendinger
|
23
|
0
|
Start
|
Mid
|
819
|
Deep sky blue
|
23
|
0
|
NA
|
Low
|
820
|
Augusto Garau
|
23
|
0
|
Start
|
Low
|
821
|
Pear (color)
|
22
|
0
|
NA
|
Low
|
822
|
Magic Pink
|
20
|
0
|
NA
|
Low
|
823
|
Alexis Spectral Data
|
20
|
0
|
Stub
|
Low
|
824
|
Pastel green
|
18
|
0
|
NA
|
Low
|
825
|
Amber shift
|
18
|
0
|
Stub
|
Low
|
826
|
Truecolor
|
17
|
0
|
NA
|
Mid
|
827
|
Old lace (color)
|
17
|
0
|
NA
|
Low
|
828
|
Mint cream
|
17
|
0
|
NA
|
NA
|
829
|
Tea green
|
16
|
0
|
NA
|
Low
|
830
|
Value (colorimetry)
|
16
|
0
|
NA
|
Mid
|
831
|
Wenge (colour)
|
16
|
0
|
NA
|
Low
|
832
|
Color in Informatics and Media Technology
|
16
|
0
|
Start
|
Low
|
833
|
Fluorescence intensity decay shape microscopy
|
13
|
0
|
Start
|
Low
|
834
|
Asparagus (color)
|
12
|
0
|
NA
|
NA
|
835
|
Cool grey
|
12
|
0
|
NA
|
NA
|
836
|
Gray-asparagus
|
9
|
0
|
NA
|
Low
|
837
|
Ash grey
|
9
|
0
|
NA
|
Low
|
838
|
Sandy brown
|
8
|
0
|
NA
|
NA
|
839
|
Camouflage green
|
8
|
0
|
NA
|
NA
|
840
|
Saffron in Hinduism
|
8
|
0
|
NA
|
Low
|
841
|
Persian orange
|
7
|
0
|
NA
|
NA
|
842
|
Process blue
|
7
|
0
|
NA
|
NA
|
843
|
Aramanth purple
|
7
|
0
|
NA
|
NA
|
844
|
Raw umber (color)
|
6
|
0
|
NA
|
Low
|
845
|
Dark-on-light color scheme
|
6
|
0
|
NA
|
Low
|
846
|
Pale brown
|
5
|
0
|
NA
|
Low
|
847
|
Boysenberry (color)
|
5
|
0
|
NA
|
NA
|
848
|
Visible frequency
|
3
|
0
|
NA
|
NA
|
849
|
Wisteria (colour)
|
3
|
0
|
NA
|
NA
|
850
|
Geru
|
2
|
0
|
NA
|
Low
|
851
|
Color Matching Method
|
2
|
0
|
NA
|
Low
|
852
|
Ford Blue
|
2
|
0
|
NA
|
NA
|
853
|
Peach-orange
|
1
|
0
|
NA
|
Low
|
854
|
CG Red
|
1
|
0
|
NA
|
NA
|
855
|
Non-spectral color
|
1
|
0
|
NA
|
NA
|
856
|
Blaze Orange
|
0
|
0
|
NA
|
Mid
|
857
|
Alice-Blue (color)
|
0
|
0
|
NA
|
Low
|
858
|
LED ribbon
|
0
|
0
|
NA
|
Low
|